Allison Moorer was working on her album 'Crows' this past summer while husband Steve Earle was on tour, an unusual circumstance since the two try to travel together as much as possible. The singer recorded the new disc under another new situation in her life -- she was pregnant with the couple's first child, a boy who will be born in March. The singer swears her unborn child is already familiar with all the music on the new CD and that he moves around when he hears it. While Allison declines to reveal the baby's name, she says the couple are thrilled and excited about his birth. They plan to take off a few months after he's born, leaving New York City for their home in Woodstock, New York, to give the family time to bond. In the meantime, Allison is doing as much as she can to promote 'Crows,' which hits stores today (Feb. 9). She's set to perform on the 'Late Show with David Letterman' on Wednesday (Feb. 10) and is excited about opening for Levon Helm on his Midnight Ramble in Woodstock on Feb. 13. Recorded in Nashville over a four-day period and produced by R.S. Field, 'Crows' is filled with reflective lyrics, tunes that allow Allison to showcase the beauty of her voice against the varied background of piano and guitar with jazz and blues overtones that pair easily with her country roots. Whether recalling her mother's love or imparting hope to the listener, the singer/songwriter presents a beautiful album that is poetry set to the motion of music.
The new project is a far cry from her earlier material, recorded for a major label in Nashville at a time when she had an Academy-Award-nominated song ('A Soft Place to Fall') in the Robert Redford film, 'The Horse Whisperer.' Allison says 'Crows' may be the truest musical statement she's ever recorded. Allison spoke to The Boot about the new album and some of the songs that are dearest to her.
The songs on this album are so descriptive, yet they leave much for the listener to fill in with their own experiences. How do you go about crafting those kind of lines?
There are all kinds of ways to write a song. I purposely wanted to be more abstract than before, more poetic and not literal, with the songs on this album. That is what imagery is about. I tend to communicate in more visual terms. I will use visual reference more than something that anyone can understand. I'm skewed that way; I'm not sure why. It was done on purpose with this album, but at the same time it wasn't. It's just where my head was at the time I wrote the songs. Because I wanted to write the melodies that are more open than I've done previously I wasn't interested in doing anything that was that straight forward.











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From his own Black & Gold draped suite in Sun Life Stadium, 
Rascal Flatts

